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The Custodians of Cape Jazz![]() South African Jazz was forged in a climate of rebellion. In the Johannesburg of the forties and fifties, the swaggering, cosmopolitan sophistication of African American bebop culture was adopted wholesale by the township youth; its style and lingo becoming a form of defiance against oppression. Artists, journalists and political activists came together around the music in the shebeens of Sophiatown, where the pioneers of northern ‘marabi’ jazz were making their names. Meanwhile, in Cape Town, a different sound was emerging. American sailors brought the new jazz into harbour with them in the form of records, films, and even live musicians. Somewhere between the docks and the Cape Flats, it was infused with the Mother City’s own charismatic melange of musical traditions, cross-pollinating with the carnival music of the “Cape Coons” and drawing on the rhythms of Europe, Asia, and all Africa. Thus Cape Jazz came into being. The 60’s and 70’s saw a mass exodus of jazz talent to the free world, as ever-harsher laws made it near-impossible for black and coloured musicians to make a living. Consequently, much of the best South African jazz produced in the latter half of the twentieth century was played and acclaimed overseas long before it was well-known on home turf. More articles on Cape Town Jazz: Mac McKenzie Robbie Jansen Hilton Schilder Jazzing the 7 seas One Jazz riff after another in Cape Town (New York Times) back |
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